Following the Parton Playbook
![]() August 20, 2026 Greetings, Meteor readers, It’s been a long, sad week with the deaths of actor Tim Curry, queen of everything Dolly Parton, and, heartbreakingly, the voice of Eeyore. But, as always, we’re grateful to be working through all of it with you. In today’s newsletter, we’ve got Dolly’s legacy, Meta’s settlement, and injustice on a Navy vessel. ![]() WHAT’S GOING ONWWDD (what would Dolly do): The death of Dolly Parton this week has left a gaping hole in the hearts of millions, but it’s also ensured that the breadth of her philanthropic work is understood, which is no small thing. Parton’s Imagination Library donated three hundred million books; she helped fund a COVID-19 vaccine; and she once gave $12.5 million over just a few months to families who lost their homes after a fire. The New York Times notes that Parton was so good at giving her own money away that other rich people, including Jeff Bezos, asked her to give away some of theirs. Dolly Parton was, in so many ways, the blueprint. “Dolly was not kind and generous despite growing up somewhere that was ransacked and impoverished,” writes author Mandy Len Catron, who, like Parton, was raised in an Appalachian community. “She was kind and generous because she grew up in a place where people knew how to care for one another because there wasn’t much to go around.” Community care was at the center of Dolly’s work. So: How well will the next generation of stars follow the Parton Playbook of humanitarian commitment? That’s an open question—but this weekend holds a hopeful preview. ![]() MOTHER PARTON PERFORMING DURING THE LAUNCH OF IMAGINATION LIBRARY. (VIA GETTY IMAGES) In Irvine, California, singer Olivia Rodrigo is hosting the Daisy Chain Fields Festival, a show that will benefit organizations serving women and girls, among them Black Mamas Matter Alliance, FreeFrom, and the Center for Reproductive Rights. This is not Rodrigo’s first rodeo when it comes to supporting reproductive freedom. In 2024, when she was touring for her album “Guts,” Rodrigo partnered with local groups to distribute condoms and emergency contraception at her shows; a portion of her tour’s proceeds went to the National Network of Abortion Funds. The backlash (“promiscuous!”) was brutal, and eventually the distribution had to stop. Against that backdrop—and the general rightward swing of Trump 2—many artists might have backed away from embracing issues at all. But in aligning herself with 13 other acts, Rodrigo is not just showing up; she’s helping create safety in numbers and a model that other young artists can point to when their publicists tell them their words are too controversial, risky, or otherwise dangerous to the bottom line. Against a backdrop of global funding for women’s rights organizations dropping catastrophically this year, the festival’s exposure feels meaningful. “We live in a world where most people just accept gender-based violence as normal and to be expected,” Sonya Passi, the founder of FreeFrom, tells The Meteor. “Daisy Chain Fields is giving a global stage to our message – we can end gender-based violence if we invest in survivors and…we each have a part in making it happen.” And as a wise woman once said, “If you don’t like the road you’re walking on, start paving another.” AND:
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