Who is the Diddy Doc For?
  December 2, 2025 Hey there, Meteor readers, Good evening to everyone except the casting directors of Chicago, who have chosen to put Whitney Leavitt on Broadway. May the ghost of Gwen Verdon haunt you forever.  In today’s newsletter, we wonder what’s to be gained from the Netflix docu-series about the rise and fall of Sean Combs. Plus, a quick suggestion on where to send some support this Giving Tuesday. Shannon Melero  WHAT’S GOING ONThe Diddy doc: Tonight, you may be partaking in the ancient practice of scrolling through Netflix to find something to watch, and it’s more than likely that you’ll immediately be met with the cover art for a new docuseries: Sean Combs: The Reckoning, which premiered today. But what is it really hoping to achieve, and who is it actually serving? As the title suggests, the series is about Combs, who was convicted of “transportation for the purposes of prostitution” earlier this year (he was acquitted of sex trafficking and racketeering). The four episodes follow his career and track the allegations and rumors that surrounded him even as a teenager—including delving into the theory that he was involved in the death of Tupac Shakur (the doc does make clear that official charges were never brought against Combs). The major selling point of the doc is hours of exclusive videos from the days leading up to his arrest, acquired by Curtis “50 Cent” Jackson, who is an executive producer on the series. Here is where things get complicated. Jackson is a known grudge-holder who has loudly and proudly taken revenge on his perceived enemies. (He once bought 200 tickets to a Ja Rule concert so that the first four rows of the show would be completely empty.) It just so happens that Combs and Jackson have been feuding with each other since 2006, which calls into question the narrative that The Reckoning is really driving. Is this a series, in the vein of Surviving R. Kelly or On the Record, in which victims are centered and telling their stories, or is this Jackson’s final move in a long game played against Combs? Watching Jackson gleefully recount his favorite footage from the series in a recent interview with Robin Roberts leads us to believe it’s the latter. “If I didn’t say anything, you would take it as hip hop was accepting this behavior,” Jackson tells Roberts, responding to the idea that this doc is a product of his disdain for Combs. “No one would be saying anything.” No one? In truth, women in the music industry have been pointing a finger at Combs for years. Some of them, including Aubrey O’Day, appear in the doc, which is largely narrated by the men who surrounded Combs. But making note of that wouldn’t serve the hero narrative Jackson is creating for himself. He’s also claimed that the proceeds of the documentary will go to victims of sexual assault—although how exactly that will happen is unclear.  DANITY KAINE, THE GIRL GROUP FORMED BY SEAN COMBS. O’DAY (SECOND FROM RIGHT) CLAIMS IN THE DOCUMENTARY SHE WAS RELEASED FROM THE BAND FOR REFUSING TO “PARTICIPATE SEXUALLY” WITH COMBS. (VIA GETTY IMAGES) We certainly can’t tell you what to take from this series; we will all walk away with something different. Much of what I watched felt like a round-up of Combs’ enablers clearing their conscience and offering a historic deep dive into the concept of “Diddy” rather than a victim-focused project. But there are a few questions we can all consider before pressing play. Do victims stand to gain anything from it? Will it persuade fans to take Diddy’s reported crimes (and the people they harmed) more seriously? Or is it finally time to give Sean Combs the one thing that would hurt him most: a slow, painful fade to anonymity? Only time and the ratings will tell. THIS GIVING TUESDAY, WE NEED YOUR SUPPORTWe’re writing to you on #GivingTuesday, a day when we give some special love to The Meteor Fund, our affiliated nonprofit, which supports our storytelling about women’s lives, and helps us create community and conversation with all of you. We’re now at a pivotal moment. Many traditional media companies are shrinking—in courage and conviction. Even as everyday Americans are standing up for their rights and the rights of others, too many news outlets aren’t interested in keeping pace. But at The Meteor, we’re energized—and mobilized. We’re expanding our coverage, forging partnerships with other independent outlets, and taking our trademark events on the road. Will you support The Meteor Fund this year, and join us as we grow? Your tax-deductible donation (little or large!) will help The Meteor Fund expand our work in the months ahead. AND:
 WOMEN AND CHILDREN ARRIVING IN DULLES AIRPORT IN 2021 AFTER BEING EVACUATED FROM KABUL. (VIA GETTY IMAGES)
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