Feminist Pop Stars Are Winning
June 25, 2024 Evening, Meteor readers, The Olympics are so close, I can taste them. I’m already beginning my transformation from average person to annoying Olympian obsessive. I don’t know a thing about track and field, but Noah Lyles and his Yu-Gi-Oh cards are my new second-favorite thing ever….close behind Sha’Carri Richardson, who will be making her Olympic debut in Paris. ONLY THE PUREST OF HEART CAN WIELD EXODIA, THE FORBIDDEN ONE. (VIA GETTY IMAGES) In today’s newsletter, we’re handing out flowers to the pop stars who are giving us hits, looks, and feminist vibes. Plus, a surprising new finding about queer Latino men and some watch recommendations for this week. Shannon Melero WHAT’S GOING ONSummer of progressive pop stars: We are currently in a beautiful and fruitful time for feminist and otherwise progressive-minded women pop stars. On Charli XCX’s effervescent new album, Brat, the British pop star included a song narrating her internal monologue about a troubled friendship with another woman musician, who was widely speculated to be Lorde, in part due to the lyric, “They say we’ve got the same hair.” This week, that song, “Girl, So Confusing,” got a brilliant remix with Lorde in which the duo hash out their issues in minute detail—and in the process illuminate the myriad ways miscommunication, insecurity, and patriarchal expectation can complicate female friendship. (As Lorde sings, “I was trapped in the hatred/ And your life seemed so awesome/ I never thought for a second/ My voice was in your head.”) Also, you might cry! And last week, Chappell Roan—the drag-informed, theatrical Missourian currently experiencing a meteoric rise—made a spectacular, swan-costumed debut on Fallon; she performed the queer anthem “Good Luck, Babe!”, a song about a passionate relationship with a woman in denial of her sexuality. Renee Rapp, the fierce musician and actor, is still ruling the summer with “Not My Fault,” her shimmering Mean Girls anthem with her idol Megan Thee Stallion. Colombian American singer Kali Uchis is currently topping the Latin pop charts with “Igual Que un Ángel,” a dreamy number about a fellow beautiful woman. The progressive musician Kehlani just released their fourth studio album Crash, leading with the pro-Palestine video for “Next 2 U,” whose merch raised half a million dollars for Palestine, Sudan, and Congo. And, more somberly, the family of the culture-shifting British producer Sophie announced this week they would posthumously release the album she had almost completed when she died in 2021 after falling from a roof in Athens. (She had climbed up to get a better look at the moon.) The best part is that these women are actively working against being pitted against one another in the usual sexist death match foisted upon women in pop—by the media and, these days, by fans. This week, Charli XCX stood up for Taylor Swift, demanding that fans stop chanting “Taylor Swift’s dead” at her concerts. (They were doing this because some people think Charli sang about Swift in the song “Sympathy Is a Knife.” Should we have run a flow chart with this story?) “Relationships between women are super-complex and multi-layered,” Charli told the Guardian. “You can like someone and dislike them at the same time; you can feel jealous of somebody but they can still be your friend… Sometimes it’s really confusing to be a girl, and that’s fine.” AND:
GOOD LUCK (AT THE OLYMPICS), BABE! 🥇
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